STEPHEN KING
… is a wonderful and masterful story weaver! I just have to say that. I love his stories! I am already midway through “The Body.” And as far as I can tell, “Stand by me” barely changed anything in the movie. They did remove some and added some but on a forgivable level. And I love the story as much as I love the movie.
BRIDAL SHOWER
Honestly, I think this movie deserves to be Second Best Picture and that Jett Jetuirian would be a good alternative to Mark Meilly’s as Best Director. Storywise, it has more substance than Mano Po 2 and Filipinas. Those two movies might just have made second and third best picture by theme rather than actual story telling and direction.
It is somewhat a Pinoy version of Sex and the City, where women are as open of their sexual needs as men. Even with the gradual liberation of women nowadays, generally that topic remains taboo in this Christian country.
The movie is witty and funny without having to be slapstick. Characters are real and interesting. And they seemed to have done their research well. The three girls work in an advertising company and they were able to use the terms correctly. Or when Joebert the macho dancer tries to become an insurance agent, my mom (who sell insurance also) was happy about hearing the 10-3-1, garden and harvest terms. She was nodding all throughout the insurance training scene.
There were still some missing parts in the movie. It was never really able to establish who the real father Francine Prieto’s child was. And that was something I kept looking for in the movie. But then at the end, you just have to live with the fact that it wasn’t a point Jeturian really wants to make.
Cherry Pie Picache, as usual, does well with her character. She was supposed to be overweight in the movie and the loser among the three, I honestly thought she was the most beautiful. Dina is a hot mama, but I honestly do not find her that sexy. But when you remember how old she is, then you realize she is. Good thing she got this movie instead of Mano Po 2. (The character she and Lorna Tolentino were fighting about? It isn’t that great. I don’t see why they had to fuss .)
I see the future of Philippine Cinema getting brighter.
Except we still can’t come up with the same level of political dramas Lino Brocka and Behn Cervantes was able to do back in the 80’s. The attempt of Hubog (movie interjected with Edsa Tres scenes) and Filipinas ( along with every political problem you can think about). But at least, we are making our movies simpler, fresher and with more impact than before.